7:32 am
Bart Dahl leads The Wheel to their morning performance at Denver’s Channel 2 ‘Jams on The Deuce’.
Bart Dahl leads The Wheel to their morning performance at Denver’s Channel 2 ‘Jams on The Deuce’.
Nathaniel Rateliff waits in the Channel 2 studio hallway before The Wheel’s on air performance.
Killing time: the hallway outside the Channel 2 studio becomes an impromptu waiting room. From Left: James Han, Nathaniel Rateliff, Julie Davis, Adeline Pope, Joseph Pope, and Ben Desoto.
The Wheel performs on-air for Channel 2 Denver’s ‘Jams on The Deuce’.
The waiting game: Julie, Joseph, and James show their strength to Adeline, Joseph’s daughter, between songs on-air, while Nathaniel waits on the floor. Much of the day was spent arriving and waiting, then rushing and leaving.
James carts the bands equipment out of the Channel 2 studio. With six members and their equipment, effort by all is required to keep the band in motion.
Ben and Nathaniel find a quick moment of enjoyment in an otherwise tedious routine.
Nathaniel exits the Channel 2 studio. Arrivals and departures are constant and required for musicians, yet seldom considered by their audience.
Back at his home, Nathaniel spends a gap in the day’s schedule at his kitchen table.
Artist and management, with their respective tools.
Bart and Nathaniel watch the footage from the morning performance on Channel 2.
Nathaniel takes advantage of quiet moment with his Basset Hound, Leyroy.
“The Hollyhocks looked droopy” Nathaniel later explained. His groomed yard has benefited from his job as a gardener and landscaper.
At City Grill in Denver, the band is provided with lunch courtesy of the promotional budget at Channel 2.
Nathaniel mocks Carrie Beeder, who plays violin in the band – while waiting for lunch.
KBCO sound engineer Andy Torri adjusts the microphones prior to The Wheel’s radio performance in Boulder, CO.
The Wheel performed three songs for KBCO 97.3 FM.
Nathaniel replaces a string that broke during the KBCO recording. He had no replacement D string, and worked to modify the tuning of an A string while Joseph calls a local guitar store for a proper remedy.
Nathaniel and James share the tight quarters with the band inside KBCO’s recording room.
James provides a musical interlude while the band prepares for the in-studio recording.
Despite broken strings and frayed composure, the band works to keep their rhythm while departing KBCO radio station for their evening performance at Red Rocks Amphitheater.
Ben Desoto practices prevention by buying Nathaniel 4 sets of nylon strings for his guitar while on his way to their show evening show.
For many drummers, stretching is part of the pre-show ritual. Ben enjoys taking part in his with the view of Red Rocks Amphitheater during sound check.
The Wheel sounds checks on the stage at Red Rocks while local media set up to broadcast. The band performed at the season opener for the popular ‘Film on the Rocks’ summer series.
Julie Davis and her band mates make final adjustments during sound check.
For every show, the tedious task of load in, set up, and sound check becomes routine.
Rain showers on the front range are not part of the routine.
Bart Dahl provides the makings for a needed second wind in the green room at Red Rocks.
Anxiety and boredom are an unusual combination for most. For bands, it seems part of a standard day’s work.
The devil is in the details. Finishing touches on content and presentation take place for the show in 30 minutes.
For their 50 minute set, Nathaniel culls from the 35 songs readily available in the band’s repertoire of original songs. When asked how many songs Nathaniel knows, he pondered with a look at the ceiling and replied, “200. Maybe more.”
The Wheel performs at Red Rocks.
Joseph and Nathaniel have known each other since their childhood in their small community of Herman, Missouri.
Gratification comes delayed but in spades as the 9,000 seat amphitheater fills up while the band plays.
Twelve hours after their day started, The Wheel performs for their audience. The public window alloted to the musician’s life is regulated to a very small portion of their time. It is those moments on stage that both performer and audience work to find.
At the Mile High Music Festival
Playing at the MHMF
Playing at the MHMF
Keeping spirits up and spreading the love at MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing with DeVotchka at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Playing at the MHMF
Homevibe presents 97.3 KBCO Presents: One EskimO w/ Dave Preston & Eleanor [had to cancel]
Homevibe presents 97.3 KBCO Presents: One EskimO w/ Dave Preston & Eleanor [had to cancel]
Homevibe presents 97.3 KBCO Presents: One EskimO w/ Dave Preston & Eleanor [had to cancel]
Homevibe presents 97.3 KBCO Presents: One EskimO w/ Dave Preston & Eleanor [had to cancel]
This show was SMOKIN! Smoking SO much the ceiling fire alarm strobes are going off, and the fire trucks showed up.
Come on out and see us Saturday April 3rd 2010 ….$8 cover/21+w/id/7:30 doors
Vexx, EyeCandy Mag 2006
Vexx, EyeCandy Mag 2006
Vexx, EyeCandy Mag 2006
Vexx, EyeCandy Mag 2006
Vexx, EyeCandy Mag 2006
Vexx, EyeCandy Mag 2006
Vexx, EyeCandy Mag 2006
Vexx, EyeCandy Mag 2006
Vexx, EyeCandy Mag 2006
Vexx, EyeCandy Mag 2006
Sweet Nuthin’, a one-off Velvet’s cover band. Good, too!
Outdoor venue at beautiful Hudson Gardens
A great time we all had!
“One of my favorite venues in Colorado” fp
this place was like it’s own country
very sexy club
I remember it well
Truly a audiovisual experience not to mention all the great love!
The Wheel is a band whose name is passing through the lips of more and more in the music scene of their hometown of Denver, Colorado. As the band develops, so does their repution; and Denver won't be able to keep this band to itself for long. Gigbot took an honest look at an honest day's work in the life of this six-piece ensemble as they prepare for dates throughout the country later this year. Nathaniel Rateliff, Joseph Pope, James Han, Carrie Beeder, Julie Davis, and Ben Desoto - along with their manager Barton Dahl, demonstrate the requisite resolve to climb towards the top in city with a burgeoning music scene, and work towards critical, commercial, and personal sucess in today's indie music landscape.
Photographed and written by Todd Roeth.
I always smile to myself for two reasons when I hear somebody ask me if I've heard of a 'new' band.
Reason one: I smile because I almost always appreciate the genuine enthusiasm that comes with that question. There are fewer and fewer motives for people to share and promote an idea, a product, or anything whose incentive to do so does not involve money or themselves. Music is still one.
Reason two: Seldom are bands really 'new'. They are only new to people's awareness. By the time a band penetrates a television signal, radio airwaves, performs on a stage for you to hear, or makes it into a conversation at happy your with your personal music maven, they've had to work hard and work long. Modest exposure takes time and perseverance. Major exposure takes all that, and sacrifice of money, of self, and above all, it takes long nights and sometimes even longer days. Those days are much like any other occupation; though the business hours may not always be 9 - 5, the hours still add up; and the tedium can be even more.
I was afforded a personal look at one of those many long days for the Wheel, a six-piece band from Denver who may soon be one of those 'new' bands somebody will ask you about. I joined them for a live morning TV performance on Channel 2 Denver, an in-studio radio recording on Boulder's KBCO, and a live performance in Colorado's premier outdoor stage, Red Rocks Amphitheater. I watched the band juggle, and manage - and in some instances, mitigate - other jobs, their children and family, and their personal relationships. I watched them support each other and critique each other. I watched them load in, load out. I watched strings break. I heard harmonies connect. I watched them cover their equipment when a late afternoon rain shower rolled over the front range and onto the stage at Red Rocks. I watched them solve problems and just deal with others. To sum it up, I watched them work.
"I think sometimes we ought to be doing better than we are for how long we've been at this...Then again, Jesus didn't start his ministry until he was 33. Maybe we've got some good things still ahead."
- Joseph Pope
When I edited these photos, I realized that only the frames at the very end of the day had an audience in them. I was with the Wheel for 14 hours that day. Their set time at Red Rocks was 50 min. In all the rest of the photos, it was only them, and nobody but me was watching. I did the rough math. Only about 7% of their day was spent playing music to a live audience. And I suspect that day was one of their better days. To say it another way, when they took the stage that evening, the audience was missing more than 90% of their story. That is the part of their story I went to find.
I think I'll add a third reason to smile when someone tells me about a 'new' band: ask any member of the Wheel how 'new' they feel sometimes. I felt pretty old at the end of the day. One member, Joseph Pope told me his 30th birthday is soon. "I think sometimes we ought to be doing better than we are for how long we've been at this," he told me behind the stage before their evening performance. "Then again, Jesus didn't start his ministry until he was 33. Maybe we've got some good things still ahead."
I suspect they might. But like everything worth having, they'll have to keep working for it.
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