Bio
Joshua James is currently working with Richard Swift on his third full-length album to be released in early 2012. Here are some highlights from his critically acclaimed second album, Build Me This.
James expands his musical palette to foreboding doom-laden hard rock on his second record. Progressing from folkish harmonies, to country twang, world beats and southern home rock while further exploring themes of spiritual searching.
Possessing a whispery and intimate vocal style that works its way into the ear peacefully and directly, Joshua James is pitched midway between seminal influences like Bob Dylan and Neil Young.
“I find solace and beauty in darkness and depression,” admits James, who grew up in his native Lincoln, Nebraska, skateboarding and sneaking listens to music his parents banned, like classic rockers Jim Morrison and The Doors, Led Zeppelin and Pink Floyd, “But there are contrasts to everything. You have to combine the sweet and salty, the ugly and beautiful. Music is very therapeutic for me. It’s all about making a connection with humanity, with the audience, in ways that I normally wouldn’t be able to.”
“I feel strongly about the things I sing about,” nods Joshua. “I want people to know how I feel, which sounds kind of dumb, because who cares how I feel? If someone feels similarly, though, that’s what I’m looking for. That’s the most important thing. If you can relate to what I’m going through, then I’ve achieved my goal.”
The album title, Build Me This, refers to his dream of salvation. “It’s my way of asking God to show himself,” declares James. “To prove he exists. Do something. Give me a sign. It’s a call to whatever or whoever is out there. I don’t want him to strike me down or paralyze me, just give me something to believe.”
Aside from the spiritual, Build Me This is also about the difficulties of everyday relationships, the inadvertent hurt we cause to those we love. “Magazine” deals with the pain of separation (“Go take your bags to New York City, call me when your plane arrives/I’ll feed the children, wash the dishes, I’ll keep the house lookin’ nice/Well don’t you worry, everything’s gonna be all right.”), while “In the Middle” envisions a posthumous conversation with a loved one from the other side (“You’ve tried so hard to forget me/You burnt the letters I’d made/Though my memory has been dyin’/I hope the feeling still remains”).
On the stage, though, is where Joshua James’ music comes alive and reveals its true intent, which is about drawing people into his insular universe, a sense of mystic that only the truly great ones can communicate.
“Perhaps the darkness comes out a little more often that I’d like,” he offers “but that’s just where I gravitate to when I’m writing. I don’t usually try to tackle specific subjects; it’s usually about what I’m feeling at the time. Things start to come out, then they form a story and a reason, and that’s how things evolve. I’m influenced by everything… by life, by love, by hate, by music.”


