Decades into their career, the Indigo Girls still amaze conventional pundits with their ability to grow and thrive no matter what the state of the music industry is at any given point. Saliers and Ray began performing together in high school, transferred their honest, urgent performing style onto the stages of countless small clubs, then saw their public profile take off with the 1989 release of their self-titled breakthrough (an album that included the first hit, “Closer To Fine,” and went on to win Best Contemporary Folk Recording at the 1990 Grammys).
The duo’s constant touring, as well as staunch dedication to a number of social and environmental causes, has earned them a fervidly devoted following over the years. So many artists who launched their careers in the late 1980s have slipped from our collective memory. In contrast, the Indigo Girls stand tall, having earned the lasting respect and devotion of a multi-generational audience which continues to experience their creative evolution in the studio and on stage.
For Ray and Saliers, Beauty Queen Sister – like each new musical endeavor they embark on – offers a fresh opportunity for exploration and discovery. “We really work hard to not lean on any tried-and-true path in making our albums,” says Ray. “So when it comes to writing new songs and working with different musicians, every record feels like a completely different adventure for us.”
For the Indigo Girls, that adventure may take the form of an adrenaline-fueled live CD or a warm, reflective holiday album or a collection of songs that can veer from raucous to intimate in the blink of an eye. No matter where their creative journey takes them, they hold out a hand to their listeners and we get to feel it all.